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LORD OF THE FLIES

 

strictly no photography or video during the shows duration. please put phones on silent or turn them off.

Recommended for 13+. Contains violent themes and course language.

The show does use special effects including smoke machine & STROBE LIGHTING.

If you require access for a wheelchair, please see our Front of House Team prior to the show.

There is no BEAST on the island. There is only what we become.
— Louise Bahnson
 

A plane carrying a group of young people fleeing a world at war is shot down over a remote tropical island. With the adults killed in the crash and an injured security officer their only remaining connection to authority, the survivors are suddenly left to fend for themselves.

At first, there is hope. Ralph emerges as the group's elected leader and, with the support of the intelligent but frequently ridiculed Piggy, attempts to establish order. The conch becomes a symbol of democracy and a signal fire their best chance of rescue. They build shelters, search for food and explore their extraordinary new home.

But the fragile society they create quickly begins to fracture.

As fear of a mysterious "beast" spreads through the group, Jay offers something increasingly more seductive than Ralph's rules: strength, freedom and protection. Hunting becomes ritual, faces are painted, boundaries are drawn and the children divide into opposing tribes.

When fear becomes a weapon, violence follows.

The disappearance of Sergeant Wills and the death of Simone accelerate the group's descent. The conch loses its authority, the signal fire is abandoned and Jay's hunters establish themselves at Castle Rock, where loyalty to the tribe matters more than truth.

Eventually, Piggy and Ralph make one final attempt to appeal to reason. It ends catastrophically. Piggy is killed, the conch's power is destroyed, and Ralph becomes the hunters' final prey.

As the island burns and the tribe closes in for the kill, a gunshot suddenly brings the hunt to an end. An officer has arrived.

Civilisation has returned.

But confronted with the adults who have come to rescue them, the survivors must face an altogether more difficult question: how do they explain what they have become?

William Golding's iconic story is reimagined as a visceral contemporary examination of power, fear, belonging and the frightening fragility of civilisation in Andrew Wright’s new piece.

 
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the rehearsal floor

 
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director’s notes

 
 
 
 

Lord of the Flies

When our morality and integrity is under fire, who do we as a community and as individuals become? Do we fight for personal power, control and survival? Are we driven by our fears and continue to walk with honesty, courage and care. Is the story we tell in our personal lives one of self preservation or one that honours the greatness of all.
From day one of our Lord of the Flies project these are the questions we have been asking as we came to understand the mess of characters that represent different aspects of humanity under fire. 

At the close of our last project our Tamborine Mountain Fast Track crew wanted to do a dramatic piece that allows them to wrestle with big questions of morality and humanity through the characters. Having originally been created with a youth theatre cast from Tamborine Mountain in 2014, Andrew Wright’s adaptation of Lord of the Flies seemed like the perfect opportunity. 

It is always a privilege to walk with young artists as they share powerful stories through performance and discover new things about their personal stories and who they want to be. Working with students to approach these complex characters with compassion, even when they are acting immorally, and share the struggle in a way that is truthful and honours human nature has been an incredible experience and honour. 

Considering the brutality and savagery of the story and how it was juxtaposed with the story's beautiful island backdrop our production team wanted to honour this with elements of cold exposed metal and wood, harsh paint and lighting patterns, tribal sounds, and vibrant, bright colours across our lighting, set, costume and sound design. 

Similarly during the staging development the cast worked hard to use symbolic, strong and repetitive movement sequences to create the otherworldliness of the children’s experience of discovering the island and the power struggle between one another. 

With such an energetic, playful cast I loved seeing our incredible young performers grow to new creative and performance skills and use them to bring this show to love. They have worked together to embrace difficult material, trust the process and ultimately have taken responsibility for telling this story together. I am incredibly proud of them and can’t wait to share it with you!


This show has been a timely reminder of the importance of culture and caring for those around us with humility and selflessness. When we allow self-preservation and the fear of rejection, intimidation and powerlessness rule our behaviours we invite division, insecurity and ultimately a corruption of our own values in a way that lets the beast run wild.

Christie Eckersley

 
 
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tamborine CAST

 

Liam Kintzel

PIGGY (Jay CAST) & Ensemble

Issac Levine

PIGGY (Jack CAST) & Ensemble

Oliver Davenport

RALPH (Jay CAST) & Ensemble

Pip Greasly

JAY (Jay CAST) & Ensemble

Neesha Duong

PIA (Jay & Jack CAST)

Bridget Voss

RACHEL (Jay CAST) & Ensemble

Olive Gibb

SAM (Jay CAST) & Ensemble

Ivy McAllister

ERIC (Jay CAST) & Ensemble

Rosa McCormack

SIMONE & NAVAL OFFICER (Both CASTS)

Isabelle Payne

KARA (Jack CAST) & Ensemble

Eva Levine

LIZZY (Jack CAST) & Ensemble

Myah Murph

SKYE (Jack CAST) & Ensemble

Ewen Thompson

RALPH (Jack CAST) & Ensemble

Samoil Kuzmanozski-Ellsley

JAY (Jack CAST) & Ensemble

Ellie Weeks

SOPHIE (Jay & Jack CAST)

 

Matilda Bonnar

RACHEL (Jack CAST) & Ensemble

Lily Ahern-Brown

SAM (Jack CAST) & Ensemble

Jordan Farah

ERIC (Jack CAST) & Ensemble

Vera Ward

KARA (Jay CAST) & Ensemble

Ilaria Kintzel

LIZZY (Jay CAST) & Ensemble

Emily White

SKYE (Jay Cast) & STG WILLS , ENSEMBLE (Jack Cast)

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WRITER

Andrew Wright

director

Christie Eckersley

stage manager

Louise Bahnson

tech operator

Macquarie Tegan

make up

Monique Rabie

costume design

Christie Eckersley

lighting design

Christie Eckersley

set design

Christie Eckersley & Louise Bahnson

Video

Louise Bahnson

Photography

Louise Bahnson & Scarlett Bahnson-Wright

PROGRAM DESIGN

Louise Bahnson

front of house TEAM

Tamara Athique

Heiki Bahnson-Wright

and our 2026 Ambassadors

 

Get early access to the production portal for 2026.

Included in the package are all 8 Fast Track Productions shown (Lord of the Flies & The Trial). Videos will be available after the show season has completed.

2026 FAST TRACK PRODUCTIONS
$60.00
One time

 

Production Photo Access for Parents & Friends.

Download the production photos from Lord of the Flies.

Remember if you share via Socials, please tag @goattracktheatre #goattracktheatre #fasttrackproductions.

CLICK LINK FOR PHOTOS HERE

 

CHECK OUT OUR OTHER FAST TRACK PRODUCTIONS IN THESE SHOW SEASON

 

BURLEIGH FAST TRACK ENSEMBLE

LORD OF THE FLIES

HELENSVALE FAST TRACK ENSEMBLE

THE TRIAL

TUGUN FAST TRACK ENSEMBLE

THE TRIAL